The 2018 ATNW Tile and Art Festival was this past weekend. I was truly honored to display my work with such a talented and diverse group of tile artists from all over the Pacific Northwest. It was great seeing many familiar faces at their tables and meeting a lot of new members. It was also great seeing some the festival visitors that I met last year. This was the first year that I volunteered to help with the event and I’d like to thank Barbara Clark and Steve Moon for the many hours they put into organizing it.
Just a week and a half until this year’s Artisan Tile NW Tile and Art Festival http://artisantilenw.org/annual-festival at the Mount Baker Community Club in Seattle on November 3rd and 4th. There will be about 25 tile artists represented at the festival, including several first-time participants.
For this year’s show, I’ve finished three panels showcasing my newest designs, as well as, loose tiles of a few of my tessellating animals. These tiles are finished in a variety of colors and will be available for purchase. Hope you can make it to the show!
I’ve been so busy with the start of the school year and making tiles that I haven’t posted for awhile. There’s a lot going on though. This year I’ll be partipcipating in the Artisan Tile NW Festival on November 3rd and 4th and the Phinney Neighborhood Association Winter Festival on December 1st and 2nd. October will be devoted to finishing 5 or 6 new panels, as well as, some extra tiles to sell at these events. Currently, my studio is a bit chaotic. I have greenware drying, bisqued tiles to underglaze, underglazed tiles to glaze, and finished tiles ready to install onto boards. The key to maintaining my sanity will be to stay organized (and keep calm).
I’ve been wanting to do this project since we moved to the North Beach neighborhood in 2015. It’s been really fun getting back into tessellations and color after a year of doing almost exclusively black and white sgraffito tiles. It took awhile to figure out the best way to install the tiles on our bumpy stucco garage but I think the cement board was a good choice. The installation went very smoothly. I’m starting to think about ideas for another panel on the opposite side of the door.
I really enjoyed making this dachshund series and I think it illustrates the range of photographs I receive from customers. Often people ask me is if the photo they provide is good enough to work from. Typically it’s easier to work from sharp, detailed photos but sometimes that’s not possible (particularly if the portrait is of a dog who has passed along time ago). Most of the photos this couple sent me were great but a couple proved challenging. That said, making a nice tile from a challenging photo is very rewarding.
I love the way the tiles are being displayed in their newly renovated kitchen.
The weather is finally starting to get nice here in Seattle. Yesterday, I took Sam and Louie for a walk through Olympic Manor, a section of North Beach that has a high concentration of lovely midcentury homes and beautiful views of Puget Sound. At the east end of the neighborhood, behind a grove of trees, there’s a small playground that I’ve never really noticed. On the perimeter of the play area stand five large concrete columns covered in wonderful mosaics depicting plants and animals of the pacific northwest. According to a plaque the project was completed in 2003. I’ve searched the internet for the name of the artist but haven’t had any luck yet. If you find yourself in this part of the world, it’s worth a visit!
Today I was delighted to receive a message in my email from a resident of Olympic Manor who worked on this project:
“So happy to hear you enjoy the park – I was the volunteer coordinator on this community project. Bronwyn Groman created the designs and Wilbur Hathaway was the lead on the mosaic process. David Ringstrom, a partner at Atelier Landscape Architects provided the layout and original idea. Catherine Weatbrook provided the kiln for all of the tiles for purchase and painting. There were many volunteers and countless hours involved in the completion.” – Deb Stamey