I finally finished this series of panels a couple of weeks ago. Each panel took quite a bit of time as I worked on them slowly, completing various stages while working on other pieces. One of my goals this year is to limit firings by only firing fully loaded kilns. It saves a lot of time and energy (both my physical energy and electricity) but requires a lot of patience. These panels will be part of a series that counts from 1 to 12. I’m not quite sure what I’ll do with this series yet but they will be part of a tessellating animal calendar at the very least. More about this in a future post…
A quick little video showing how I designed this table pattern:
I’ve been working on this simple midcentury-inspired table to hold some plants.
I’ll post a few more photos when it’s done.
I finished up this project last night. The plants seem a lot happier in their new spot. They’re getting a lot more natural light. ☀️
I designed this for myself but thought others might like one. Available now in my online shop:
It’s been years since I made a stop-motion animated video. Romy, Ollie, and I made a couple when they were little but it really started when I was a student at MassArt a long, long time ago. This one got cut short but there will be more coming!
Thank you Susan Yeley Homes for posting these photos on Instagram.
It’s so cool to finally see all the monkey tiles that I made last year getting installed in their new home. I remember being nervous about the consistency of finish as I unloaded the kiln. There was a fair amount of variation due to when tiles were dipped (the glaze got thicker as I went along) and where the tiles were located in the kiln (centrally placed tiles were hotter and glossier). There’s no way I could match the consistency of the computer rendering but I think the installer, Instile, has done a nice job of interspersing lights and darks to create a beautiful surface.
Been busy the past couple of months experimenting with some composite tiles and new panel designs. In these new tiles, I’m combining pressed pieces with slip cast pieces. It’s been a challenge to get the drying times right as cracking can happen when thin pieces dry too quickly but I’ve had mostly good results. The photos aren’t great but I’ll be posting more as layering colors and finishes is underway.
There are a lot of steps that go into making a simple ceramic tile and through the years I’ve learned to enjoy doing all these different tasks. However, like most tile makers, my favorite part of the process is designing a new tile. I was recently asked if I had any farm animals besides the sheep. Unfortunately, I didn’t but thought the request was a great opportunity to start designing this year’s first new tiles. I usually don’t come up with new designs until the spring but I’ve decided to start a bit earlier this year.
The sheep, goat, cow, and pig are the first of the series and I may add a chicken or a duck too. I’m especially fond of the pig because when I first showed these tiles to my husband he thought the pig looked a little sad. I had to agree – the pig did seem a little out of place. A few adjustments in the mouth and cheeks seemed to do the trick. I think the happy pig is surprisingly cute.
I’ve been playing around with time lapse videos and posting them on Instagram. It’s fun to show the process even if my kids tease me about my soundtrack choices. 😂
Check them out if you get a chance!
As much as I love making tiles, it’s nice to take a break from it and make other things.
Over the years, I’ve been making clay stamps. Most are tessellating shapes – some are simple shapes, some more complex shapes, some are figurative, and others are abstract. I love the way they look pressed into clay. I’ve made vessels from the stamped slabs in the past but haven’t really spent much time or energy on these projects. A few weeks ago, I decided it was time to make some stamped mugs that I really like.
Since I have about 10 bags of porcelain that’s too hard for tile making but fine for rolling out slabs, I decided to use it for the mugs. I rolled out about a dozen big sheets of porcelain and stamped out my patterns. I then cut and assembled the mugs. I knew from previous attempts that there would be some warping and cracking along the way. I did everything I could think of to minimize this including drying them slowly and waxing the most fragile parts but nothing worked. Eleven of the twelve mugs completely split down the side. It was amazing (and annoying) how consistent the problem was.
I decided to literally bag the porcelain and try a more forgiving clay – stoneware with grog. I chose this clay because it is specifically geared to sculpting. I assumed it would be considerably stronger and more plastic than porcelain and it is. The first few cylinders I built were so stable that I decided to put them on the potters wheel and alter the shape. I could never do that with porcelain.
While I love working with the stoneware, I do have one major reservation. Unlike the smooth white porcelain surface, stoneware is a dull putty color. Most of my glazes are translucent celadons and they look muted on stoneware. As you can see in the side-by-side monkey photos above, the porcelain monkey is jade green but the stoneware monkey is a dark yellowish green. I guess both have their merits but I prefer the jade green.
I could try some new glazes that might work well with the stoneware but one of the things I like best about the stamped clay is the way celadons pool into the recesses of the texture when dipped into the glaze. I decided that maybe if I spray the stoneware with a thin layer of white underglaze, like gesso, it will provide the white surface needed to get the colors I’m looking for. Unfortunately, the white Amaco underglaze I’ve been using for years is completely sold out everywhere (supply chain issues). I decided to use this Speedball underglaze as a back-up. It looks off-white in the jar and has an odd pudding-like consistency but when thinned with water, it sprays pretty well.
It will take a few more days for everything to dry before I can fire these mugs. I’ll have a better idea once they’re fired if the underglaze coverage is good. If I need to add more underglaze I can probably apply it to the bisqueware as well. Hopefully, I’ll have some nice photos of glazed mugs in a week or two.
A few months ago, I designed a few miniature versions of some of my most popular tiles. At the time, I thought I might use them as borders on some of my larger tile panels. While I still plan on doing that, I began to think about other ways to use these little tiles. This led to experimenting with making clocks, buttons, and most recently, soap dishes.
The clocks are kind of cool but working with porcelain has been a challenge. There has been some warping and cracking with the first attempts. I’ve tried using low-fire finishing techniques to circumvent some of the problems but I just don’t like the look of the finishes as much. I’ll try switching to another clay body at some point but I do love how clean and clear colors are on porcelain and I have a lot of it in my studio to use before it dries up.
The buttons should be a fun addition to some of my sewing projects. During the coldest winter months it’s not much fun working in my unheated studio space. A couple of years ago I moved to the warmer rooms in the house and started designing fabrics based on my tile patterns. I dug out my old sewing machine and made some tote bags with the fabric. I’d like to make more of them this winter.
The latest application of these mini tiles has been this series of soap dishes. I’ve been wanting to add a few non-tile items to my Etsy shop before the holidays. I guess they’re still tiles. Anyway, they’ve been a lot fun to make and the first few are now available for purchase: www. Etsy/shop/goodpressceramics