It’s been ages since I’ve posted anything – time for a little recap.
I’ve been spending a lot of time making new paint palettes. After the honey bee and dragonfly palettes, I designed a few simpler ones based on patterns in nature, specifically animal patterns. These patterns were inspired by fish scales, snakeskin, and armadillo bands.
Most recently, I’ve been working on a series of seasonal palettes. First came the “cloud” palette for fall. It features a cluster of interlocking rain clouds hovering over a large rectangular well where an abandoned umbrella sits surrounded by puddles. More recently, I’ve been working on the winter themed “polar bear” palette. It features a bear emerging from a forest of tessellating pine trees as he trudged through the snow.
While I’ve been super busy with these projects, there have been a number of setbacks, mostly due to my aging kiln. I finally bit the bullet and ordered a new one several weeks ago. As I eagerly await its arrival, I’m going to shift gears and spend more time painting. Honestly, not having to think about the technical aspects of ceramics for a little while will be refreshing.
I’ve been really busy making palettes this summer. A big thank you to Amber Lane who has kindly included my Honey Bee Palette in many of her photos and videos on Instagram.
I love making the white porcelain palettes but I’ve also missed playing with colorful ceramics. This past weekend’s weather was beautiful so I set aside the time to layout my latest tile table top. The idea for the design came from walking my dogs along the path at Golden Gardens beach.
This patio table is one of the first pieces of furniture James and I bought together. It’s over 20 years old and a little rusted and banged up so it’s more than ready for a makeover. The mesh top is a good substrate for adhering the tiles with thinset. In order to grout the tiles, I’ll tape the underside of the table, apply the grout and remove it when the grout has hardened a bit.
I started making tiled tables as a way to use clay that is too hard to press into molds but is soft enough to roll into slabs and then cut into tiles. They’re also a great way to use up clay bodies and glazes that have been sitting around the studio for a long time.
Sometimes it’s nice to take a break from the more physical routine of tile pressing and work at a slower pace on something. These sgraffito bowls take a fair amount of time to carve but it’s a relaxing, almost meditative, process that yields a very useful item.
About two months ago I recycled a couple of big buckets of porcelain clay scraps.
I’ve learned over the years the best way to recycle clay is to let the scraps dry completely and then add distilled water to the scraps. The dry clay absorbs water much better and faster than damp clay. Once the water has been absorbed, I spread out the goopy clay onto a big sheet of cement board and then wedge it on a plaster bat a little at a time. It’s a slow, labor-intensive undertaking but it’s way better than throwing away good clay and the results are several bags of super plastic, awesome, easy-to-use clay.
I used the recycled porcelain to make this series of plates and some large sgraffito serving bowls (a future post will be dedicated to those). For this series, I wanted to see how many ways I could apply the tessellating orca design to a plate (or shallow bowl). They include:
- underglaze pencils/wax resist and sprayed underglaze
- underglaze transfers on greenware/glazes applied with needle applicators
- carving the surface of the clay
- brushing underglaze/sponging underglaze
- sgraffito (applying a layer of underglaze and carving through it to reveal clay beneath)
- drawing glaze with needle applicators
- slip trailing/glazes applied with needle applicators
- carving design into a plaster mold/glazes applied with needle applicators
- silver marker resist/glazes applied with needle applicators
I’m sure I missed some great techniques. Please let me know if you can think of anything I should try out.
This rabbit is the first new tile of the year. Designing tiles is the most fun stage of the the making process; I wish I had more time to do it. I usually try to add three or four new designs every year to my shop but, since there’s not much room in the studio for more molds, it may be time to retire some of the older designs. Even though I feel like my work is evolving in some ways, there’s a lot of sentimental attachment to those tiles. It’s going to be a challenge.
As a tile maker, I make a lot of plaster molds.
This is especially true lately as I’ve been pouring, as opposed to pressing, tiles and palettes. Unlike regular clay, there are chemicals in the casting slip that break down the plaster. This means I need to make new molds fairly often.
When I mix the plaster I tend to have a little left over. Rather than throw it away, I’ve been pouring the extra into inexpensive plastic plates I picked up at the grocery store. This results in nice, smooth plaster disks. I’ve been wanting to experiment with carving designs into them and this month I finally got around to doing one. I have a set of precision needle applicators and some new glazes that I can’t wait to play around with. 🙂
So here are the first glazing attempts. I have to say, I wasn’t very precise with my precision needle applicator bottles. Nevertheless, I think these are promising! There are things I like about each of them but I I’m not there yet. Looking forward to doing another round.
The idea for this palette came from an artist named Mona who asked me to make her a white dragonfly tile because she thought it would work well as a small palette. She was right – it made a really good mini palette because of the negative space surrounding the insect.
I’ve been wanting to design another palette so I sketched some ideas incorporating a pattern of dragonflies. Since it is a relatively large piece, I’ve been experimenting with different types of clay in an effort to minimize the warping often associated with larger tiles. I love the white color of porcelain clay for making palettes because I think it provides a great surface for mixing colors, but I decided to try a couple of stoneware clay bodies too. I was taught that stoneware, especially with sand and grog, is less inclined to warp than porcelain. Surprisingly, I did encounter some warping with one of the stoneware clays as it dried. Fortunately, the palette flattened out during the glaze firing.
I glazed the porcelain palettes with clear glaze and the stoneware palettes with white glaze. The white stoneware palettes provide a white surface for mixing colors but they have a more rustic appearance. The darker clay peaks through the white glaze and accentuates the carved details.
I don’t want October to slip away without posting anything for this month. The Honey Bee palette has been a big seller these past few months so I’ve been in production mode. I’ve made a lot of them to fill orders, as well as, making extras in case the holiday season gets busy. In addition to the palettes, I’ve designed a simple water cup and brush rest to go along with them. Hopefully, I’ll get a few of these poured and glazed in time to list the sets in my Etsy shop by mid November.
I think when most people walk into a mid century bathroom and see the ubiquitous square pink tiles, they cringe. There was probably I time when I did as well. These days, I’m really drawn to the color pink. It just makes me happy. I’ve been meaning to paint the small bathroom off my bedroom for a long time. Since I’m the only one who uses this bathroom, I didn’t hesitate to pick this color. When I saw an adorable sink backsplash featuring tiles designed by Emu Tiles on Instagram, I thought it would be fun to make a cool little backsplash for my sink too. Plus, I’m always looking for ways to use these mini tiles.
As it turns out, Etsy is a great place to sell palettes. The Honey Bee Palette has been a pretty popular item in my shop so I decided to make a small palette based on my turtle tile. The nice feature of this palette is the removable shell that works as a water cup. Soon after making the palette, I began to think of possible video ideas for promoting it on Instagram. I made a quick little stop-motion animation that hasn’t really received much attention in the IG world but I think it’s one of my better posts: